


Byron Bowie, Conducter - Big Band in action - Don Glasgo, Associate
Conductor
In 1996 Joseph Bowie started formulating the fusion
of the great tradition of Big Band music of the 30's and 40's with
the popular dance rhythms and grooves of the 70's, 80's and 90's.
the development of the Big Band idiom has been lost in nostalgia.
Joseph's interests was interested in continuing the evolution of
the Big Band sound, but including rhythms and grooves of generations
not familiar with the "hay-day" of Big Band music. In Defunkt's
recording "One world" (1996 Dureco Records-Netherlands), Joseph
with the help of brother and renowned Big Band arranger, Byron Bowie,
began to shape this new concept with a "funky" Defunkt rhythm section
and 6 horns. This experiment and CD recording planted the foundation
for what in 1998 became the "Defunkt Big Band", a 21 piece, slamming
rocking, funky big Band for the next millennium. Defunkt songs were
arranged and played in "FunkShop" workshops at colleges and universities
to prepare arrangements for the professional band.
The Defunkt Big Band was formed in New York City with
the cooperation of some of the finest musicians in modern music.
John Stubblefield, Oliver Lake, Jack Jeffers, Marty Erlich, Gene
Lake, Clifford Adams, Chulo Gatewood, Bill Bickford, Ray Anderson,
Adam Klipple, Booker King and James Carter.....just to name a few.
The first concert series in March/April of 1998 at the Knitting
Factory in New York, was a 6 week series of Monday nights. Word
spread quickly of the band's immense power and air-tight arrangements.
The stunning vocals of Kelli Sae rounded the band's sound with an
unprecedented compatibility with jazz, pop, soul and rock audiences
alike. During this series, the band perfected arrangements and developed
Joseph's new Big Band concept for Defunkt. This series was so impressive
and this new Big Band style so well received, the new Defunkt big
Band was asked to open the celebrated Texaco Jazz Festival at the
Knitting Factory on June 1, 1998. This opening concert of the festival
was a tremendous success and the Defunkt Big Band, in the words
of "Jazz Times Magazine", "Blew the house down". This was the first
installment to the world of a new, powerfully funky Defunkt Big
Band who's prime time is scheduled in the new millennium. This is
a musical spectacle beyond imagination, spanning the complete history
of modern culture through music with a powerful energy you will
not believe!
A must-see & hear!
(click
here for preview)
BYRON BOWIE , brother of Joseph Bowie, has been an
important part of the bands legacy since 1980. He maintains a respected
position in Chicago's musical community as a composer, arranger
and conductor in the Chicago area. In 1973 for the Bahamian government,
he wrote music commemorating their independence from the British
Commonwealth of Nations. He has worked and performed with Sammy
Davis Jr, Nancy Wilson, Fontella Bass, Brook Benton, Melba Moore,
The Dells and many others, and has made numerous recordings with
The Manhattans, Aretha Franklin, Jerry Butler, The Ohio Players
and has appeared on most of the Defunkt recordings. Multi-talented,
Byron brings a wealth of experience to the band stand with Defunkt.
He is an enthusiastic and dynamic performer. DON GLASGO is an experienced
jazz teacher, conductor, composer/arranger, performer and writer.
For the past 27 years Don has directed the Barbary Coast Jazz Ensemble
at Dartmouth College (Hanover, New Hampshire), where he has also
taught courses in jazz, jazz and literature, American music and
world music For the past 12 years he has been Faculty in Music at
Goddard College (Plainfield, VT.), where he was also the Director
of the Institute for Creative Music and SALSA MEETS JAZZ: The Afro-Caribbean
Jazz Seminar with the Eddie Palmieri Octet (August 2001). Glasgo
has written over 100 jazz compositions and arrangements and is an
accomplished valve trombonist who has performed with Joseph Bowie's
Defunkt Big Band, the Oliver Lake Big Band, Michael Ray & the Cosmic
Krewe, The Sun Ra Arkestra under the direction of Marshall Allen,
and Phish. He leads his own professional bands, Manteca (Latin jazz)
and Gusano (Latin, New Orleans, funk & r&b), is the author of Jazzlines--a
newsletter sent out to over 3,000 jazz fans--and a columnist for
the internationally-distributed magazine, Jazz Improv.